Wednesday, May 6, 2020

Eighteenth Century English Literature - 5838 Words

Chapter III: Eighteenth Century English Literature LITERATURE OF THE ENLIGHTENMENT (18th century) The 17th century was one of the most stormy periods of English history. The growing contradictions between the new class, the bourgeoisie, and the old forces of feudalism brought about the English Bourgeois Revolution in the 1640s. As a result of the revolution the king was dethroned and beheaded and England was proclaimed a republic. Though very soon monarchy was restored, the position of the bourgeoisie had changed. The 18th century saw Great Britain rapidly growing into a capitalist country. It was an age of intensive industrial development. New mills and manufactures appeared one after another. Small towns grew into†¦show more content†¦Such composition of the novel gave the author a chance to create an all-embracing picture of the 18th century England, to write a comic epopee as Fielding himself called the novel. Fielding also worked out the theory of the novel. In the introductory chapters to the eighteen parts of The History of Tom Jones he put forward the main requirements that the novel should meet: to imitate life, to show the variety of human nature, to expose the roots and causes of mans shortcomings and to indicate the ways of overcoming them. 3. Late Enlightenment (Sentimentalism) (1750-1780). The writers of this period, like the Enlighteners of the first two periods, expressed the democratic bourgeois tendencies of their time. They also tried to find a way out of the difficulties of the existing order. However, while their predecessors believed in the force of intellect, they considered feelings (or sentiments) most important. The principal representatives of sentimentalism in the genre of the novel were Oliver Goldsmith (The Vicar of Wakefield) and Lawrence Sterne (Tristram Shandy, The Sentimental Journey) and in drama-Richard Sheridan (School for Scandal and other plays). Questions and tasks 1. What is the meaning of the word enlightenment 2. What was the peculiarity of the Enlightenment in England as compared with that in France 3. What were the two trendsShow MoreRelatedThe Role of Women in English Literature: From Beowulf up to the Late Eighteenth Century963 Words   |  4 PagesDiscuss the role of women in English literature, both as characters in works written by men and women and as authors in their own right, from Beowulf up to the late eighteenth century. The role of women in English literature from Beowulf up to the late eighteenth century mostly represented the mores and gender expectations of the time. Exceptions were Rebecca in Sir Walter Scotts Ivanhoe who epitomized an intelligent and courageous woman and Grendalls mother in Beowulf who tried to attack theRead MoreThe Earl Of Rochester And Jonathan Swift1307 Words   |  6 PagesWhen reading Eighteenth- Century literature it is clear that the concept of one’s privacy was non-existent, particularly in poetry. Poets of this period were more aware of the growing public readership they had as a result of developments in education, and people from each class were now able to access poetry. This meant what was published had a greater impact on society, as poetry became increasingly â€Å"[†¦] a more public form of expression† (Goring, P. p.64) for writer’s opinions on political andRead MorePoliteness And Its Impact On The Early Nineteenth Century1060 Words à ‚  |  5 Pagesas a verbal fixture in the eighteenth century, it was frequently used in a vacuous manner resulting in its adding relatively little to both the general notions of â€Å"correctness† and â€Å"refinement† (Stein van Ostade, 1994). However, during the early part of the eighteenth century, there is significant evidence of the term â€Å"politeness† having a definite and specific set of resonances. 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Until the eighteenth century, it was referredRead MoreEssay about Contrasting Neo-Classic and Pre-Romantic Literature1153 Words   |  5 PagesContrasting Neo-Classic and Pre-Romantic Literature Neo-classicist writers placed great emphasis on taking a practical approach to life and their writing, focusing often on logic, science, and technology, and preferring not to employ frivolous embellishments or reflect on the abstract. They wanted unadorned fact whereas the romantics favored a more creatively inclined form of expression (Anderson et al. 1). Before the romantics began, however, pre-romanticism edged in slowly, acting as the bridge

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